Green Tara is the main form of Tara, who made a vow to always returns as a female Bodhisattva, showing us hat anyone can attain Enlightenment. She exudes an aura of emerald green, radiant with the attainment of the Six Perfections of giving, ethics, patience, effort, meditative stabilisation and wisdom, and bright with her ever-compassionate care for all sentient beings.
Jamphel Yang Thangka (96cmx53cm flex printed with brocade)
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Jamphel Yang Thangka (96cmx53cm flex printed with brocade)
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Green Tara is the main form of Tara, who made a vow to always returns as a female Bodhisattva, showing us hat anyone can attain Enlightenment. She exudes an aura of emerald green, radiant with the attainment of the Six Perfections of giving, ethics, patience, effort, meditative stabilisation and wisdom, and bright with her ever-compassionate care for all sentient beings.
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Green Tara is said to embody the fulfillment of all beings’ desires, both worldly and spiritual. As one who grants beings’ wishes, she personifies good fortune, although unlike the worldly wealth-bestowing deities, the wishes she fulfills include liberation from ignorance.
She was once a princess named Jnana Chandra in a human realm. In her youth, she took a vow to achieve complete enlightenment in a female form and entered into deep concentration, focusing her mind on the dependent nature of reality and the task of benefiting other beings. She then made an oath to dedicate her entire future existence to the welfare of all beings.
The thangka comes framed in a traditional silk brocade border.
Thangka Painting. 16 x 23 Inches
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Tibetan Thangka is a traditional form of Buddhist painting. It usually depicts deities, mandalas, or spiritual scenes. Thangkas are highly detail and vibrant, and they serve as visual aids for meditation and spiritual practice. They are considered scared and are often used in religious ceremonies and as objects of devotion.
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Green Tara is said to embody the fulfillment of all beings’ desires, both worldly and spiritual. As one who grants beings’ wishes, she personifies good fortune, although unlike the worldly wealth-bestowing deities, the wishes she fulfills include liberation from ignorance.
She was once a princess named Jnana Chandra in a human realm. In her youth, she took a vow to achieve complete enlightenment in a female form and entered into deep concentration, focusing her mind on the dependent nature of reality and the task of benefiting other beings. She then made an oath to dedicate her entire future existence to the welfare of all beings.
The thangka comes framed in a traditional silk brocade border.
Thangka Painting. 16 x 23 Inches
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Chengresi Thangka (96cmx53cm flex printed with brocade)
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Green Tara is the main form of Tara, who made a vow to always returns as a female Bodhisattva, showing us hat anyone can attain Enlightenment. She exudes an aura of emerald green, radiant with the attainment of the Six Perfections of giving, ethics, patience, effort, meditative stabilisation and wisdom, and bright with her ever-compassionate care for all sentient beings.
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Green Tara is the main form of Tara, who made a vow to always returns as a female Bodhisattva, showing us hat anyone can attain Enlightenment. She exudes an aura of emerald green, radiant with the attainment of the Six Perfections of giving, ethics, patience, effort, meditative stabilisation and wisdom, and bright with her ever-compassionate care for all sentient beings.
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Tibetan Thangka is a traditional form of Buddhist painting. It usually depicts deities, mandalas, or spiritual scenes. Thangkas are highly detail and vibrant, and they serve as visual aids for meditation and spiritual practice. They are considered scared and are often used in religious ceremonies and as objects of devotion.
Tibetan Thangka is a traditional form of Buddhist painting. It usually depicts deities, mandalas, or spiritual scenes. Thangkas are highly detail and vibrant, and they serve as visual aids for meditation and spiritual practice. They are considered scared and are often used in religious ceremonies and as object of devotion.
Palden Lhamo is main Dharma protectors in Tibetan Buddhism. Her eyes represent past, present and future. She is dark blue in colour representing her attainment of great bliss- the realization of emptiness. Her right hand is in the sky holding a skull cup representing the destruction of obstacles. She carries a human bag full of diseases that she collects from those who invoke her. Her legs are in a semi-relaxed posture and chains connect one ankle to the other. She is the personal protector of the Panchen Lama and of all fourteen incarnations of the Dalai Lama.
Rigsum Gonpo means the "Protectors of the three realms" and refers to Avalokiteshvara, Manjushri and Vajrepani. Four temples are dedicated to these deities in the cardinal directions of the old city of Lhasa, known as the north, south and west...
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Jamphel Yang is also known as Manjushri.
Guru Tsangye Thangka (75cmx46cm flex printed with brocade)
Yapsi Sum Thangka (75cmx46cm flex printed with brocade)
Green Tara is the main form of Tara, who made a vow to always returns as a female Bodhisattva, showing us hat anyone can attain Enlightenment. She exudes an aura of emerald green, radiant with the attainment of the Six Perfections of giving, ethics, patience, effort, meditative stabilisation and wisdom, and bright with her ever-compassionate care for all sentient beings.
Guru Thangka (75cmx46cm flex printed with brocade)
Dolkar Thangka (75cmx46cm flex printed with brocade) White Tara
Tonpa Thangka (75cmx46cm flex printed with brocade)
Tibetan Thangka is a traditional form of Buddhist painting. It usually depicts deities, mandalas, or spiritual scenes. Thangkas are highly detail and vibrant, and they serve as visual aids for meditation and spiritual practice. They are considered scared and are often used in religious ceremonies and as objects of devotion.
Tibetan Thangka is a traditional form of Buddhist painting. It usually depicts deities, mandalas, or spiritual scenes. Thangkas are highly detail and vibrant, and they serve as visual aids for meditation and spiritual practice. They are considered scared and are often used in religious ceremonies and as object of devotion.
Palden Lhamo is main Dharma protectors in Tibetan Buddhism. Her eyes represent past, present and future. She is dark blue in colour representing her attainment of great bliss- the realization of emptiness. Her right hand is in the sky holding a skull cup representing the destruction of obstacles. She carries a human bag full of diseases that she collects from those who invoke her. Her legs are in a semi-relaxed posture and chains connect one ankle to the other. She is the personal protector of the Panchen Lama and of all fourteen incarnations of the Dalai Lama.
Rigsum Gonpo means the "Protectors of the three realms" and refers to Avalokiteshvara, Manjushri and Vajrepani. Four temples are dedicated to these deities in the cardinal directions of the old city of Lhasa, known as the north, south and west...
Tsepak Mey Thangka (75cmx46cm flex printed with brocade)
Jamphel Yang is also known as Manjushri.
Guru Tsangye Thangka (75cmx46cm flex printed with brocade)
Yapsi Sum Thangka (75cmx46cm flex printed with brocade)
Green Tara is the main form of Tara, who made a vow to always returns as a female Bodhisattva, showing us hat anyone can attain Enlightenment. She exudes an aura of emerald green, radiant with the attainment of the Six Perfections of giving, ethics, patience, effort, meditative stabilisation and wisdom, and bright with her ever-compassionate care for all sentient beings.
Guru Thangka (75cmx46cm flex printed with brocade)